Guy Kendall's Photography
Exploring Guy Kendall’s photographic work starting in 1924, the viewer watches the progression from posed still shots of horses with their trainer/drivers to action shots which capture the excitement of races at the finish line. Through the albums, one is able to watch the growth of relationships between Kendall and the horsemen and women of the southern Maine fair circuit as remote, documentary snaps of horses and drivers become intimate portraits both at the race track and on area farms.
Kendall’s career at the track was put on pause in 1928 as he courted and then married Ruth B. Bennett. Kendall’s work resumed in the album labeled 1930a, where it is possible to see a quantum leap in the quality of his composition from images that were simply a matter of record to those with genuine artistic flair.
According to his niece, Anne Kendall Holmbom, Kendall used a Graflex box camera and glass negatives to capture many of his early photographs. He developed, printed, and re-touched all his photographs personally in his studio located on Congress Street in Portland, Maine.
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Peter Pokey wins
Owner: Howard Randall
Driver: Phelan
Race: Free for All Trot and Pace
Date: 9-3-1937 -
Peter Pokey wins 1st heat
Owner: Howard Randall
Driver: Henry Clukey
Race: 2.13 Trot
Date: 10-12-1933 -
Peter Queries
Owner: John M. Berry
Driver: V. Fleming
Race: The American Stake Three Year Olds Pace
Date: 8-3-1935 -
Peter Song
Owner: Martin B. Dodd
Driver: E. Kirby
Race: The National Stake Three Year Olds Trotting One Mile
Date: 7-29-1936 -
Peter Song wins from Calumet Dubuque
Owner: Martin B. Dodd
Driver: Vic Fleming
Race: 2.18 Class Trot
Date: 7-21-1937 -
Peter Tanlac — McKenney up
Owner: A. N. Pinkham
Driver: McKenney
Race: Free for All, Mixed
Date: 10-2-1930
