Guy Kendall's Photography
Exploring Guy Kendall’s photographic work starting in 1924, the viewer watches the progression from posed still shots of horses with their trainer/drivers to action shots which capture the excitement of races at the finish line. Through the albums, one is able to watch the growth of relationships between Kendall and the horsemen and women of the southern Maine fair circuit as remote, documentary snaps of horses and drivers become intimate portraits both at the race track and on area farms.
Kendall’s career at the track was put on pause in 1928 as he courted and then married Ruth B. Bennett. Kendall’s work resumed in the album labeled 1930a, where it is possible to see a quantum leap in the quality of his composition from images that were simply a matter of record to those with genuine artistic flair.
According to his niece, Anne Kendall Holmbom, Kendall used a Graflex box camera and glass negatives to capture many of his early photographs. He developed, printed, and re-touched all his photographs personally in his studio located on Congress Street in Portland, Maine.
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The Abbott wins 3rd race
Owner: Sullivan & Mawhinney
Driver: Safford
Race: 2.12 bar Pace
Date: 7-3-1941 -
The Auctioneer beats Aunt Ida—Palin up
Owner: E. J. Baker
Driver: S. Palin
Race: Two Year Olds Pacing One Mile
Date: 8-10-1934 -
The Auctioneer—Palin up
Owner: E. J. Baker
Driver: S. Palin
Race: Two Year Olds Pacing One Mile
Date: 8-10-1934 -
The Auctioneer—Palin up
Owner: E. J. Baker
Driver: S. Palin
Race: Two Year Olds Pacing One Mile
Date: 8-10-1934 -
The Bengal (right)
Owner: Hugh Hight
Driver: Walter Bradford
Race: The Maine Spinning 2.13 Pace
Date: 8-18-1927 -
The Highbinder
Owner: Charles J. Knight
Driver: Charles J. Knight
Race: West Cumberland Fair 2.14 Mixed
Date: 9-24-1924 -
The Highbinder
Owner: Charles J. Knight
Driver: Charles J. Knight
Race: Pine Tree Circuit Races, Maine State Fair Grounds, Lewiston, Maine
Date: 8-20-1924
