Date of Award

Summer 8-16-2024

Level of Access Assigned by Author

Open-Access Thesis

Degree Name

Master of Fine Arts (MFA)

Department

Intermedia

Advisor

Susan Smith

Second Committee Member

Diana Baumbach

Third Committee Member

Ronald "Ed" Nadeau

Abstract

In the summer of 2023, I embarked on my final MFA project, seeking a meaningful and impactful idea that incorporated weaving as a core element. After consulting with my committee chair, Dr. Susan Smith, I decided to transform my personal list of sexual experiences into a woven and embroidered artwork. This list, initially recorded in a diary and later in my phone, would be embroidered onto fabric I wove myself, inspired by Elaine Reichek’s embroideries and Tracey Emin's autobiographical work.

I chose to use natural fibers for my project, initially wanting to use locally produced linen for the project, though I eventually opted for cashmere yarn due to practical constraints. For embroidery, I used a specific shade of gray cotton thread that matched previous projects. The text would be my handwritten entries from the list, aiming for a balance between personal narrative and artistic execution.

Weaving began in December 2023 using a 24” Ashford Rigid Heddle Loom. I wove multiple sections, each about 6-8 feet long, and stitched them together. The embroidery started in March 2024, was done in various locations, providing a contemplative space for reflecting on each entry. The physical process of weaving was meditative, while embroidery was more thought-intensive, bringing up memories and emotions associated with each name on the list.

The nearly 25-foot-long piece was installed in the Lord Hall Gallery, suspended from the ceiling with monofilament thread and magnetic anchors. The final section remained attached to the loom, symbolizing the ongoing nature of the project. The installation emphasized the process and materiality of the work, with loose threads and visible seams representing the complexities of personal narratives.

The piece elicited varied reactions, sparking conversations primarily among women about their own lists and sexual experiences. Despite its intimate nature, the work avoided explicit content, focusing on the narrative and emotional aspects. The exhibition created a space for sharing and reflection, though it also faced challenges, such as the cancellation of a school visit due to the piece's mature themes.

Overall, the project combined autobiography, textile art, and feminist themes, exploring vulnerability and the power of personal narrative through an artistic lens.

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