Campus-Only Dissertations
Use of Algorithmically-Moderated Collaboration Models in Offline Distributed Creativity Situations, John Bell
Fundamental Structures and Paradigms that Produce Functional Collaborative Models in Creative Productions, Richard Corey
Studies in Creative Collaborative Models and Paradigms: Investigating and Constructing Environments for Audience Interaction and Participation, Bethany Engstrom
Diversions of Pleasure: Singing Slave Girls and the Politics of Music in the Early Islamic Courts (661-1000CE), Lisa Emily Nielson
Campus-Only Theses
The Variable Museum, John Bell
Streaming Tales, Alexandre Berthier
Games As Art, Aaron Dean Boothroyd
(Dis) Table, Johanna Rose Cairns
Semi-Functionals, John W. Carney II
Tugging on Superman's Cape, Richard R. Corey
Encountered Spaces: The Perception of the Uncomfortably Strange in the 21st Century, Bethany Engstrom
Mural Graffiti Painting: Positively Affecting a Community, Ryan Guerrero
Remapping Videos: An Experiment in Embodiment of Code Process, Heather R. Inman
Story Telling Objects, Jessica R. B. LeClair
Public Art and Public Education: Controversy and Connections, Stephanie Spruce Leonard
Getting To Know & Getting By: From There To Here, Kristopher Mason
The Weight of the Heavenly Garden in the Plane of Existence, Heather Perry
The 33rd Alaska Folk Festival: A Short Documentary, Evan E. Richards
Gesture: A Lens for Perception, S. Julie Riley
Dispossessed: Art, Activism and Social Engagement within the Concept of Home, Susan L. Smith
The Relationship between Value Systems in Art and Trends in Art and Technology, Abigail Stiers
Hyperlocal, Pieter Tryzelaar
Open-Access Dissertations
A Descriptive Study: Selection and Use of Art Mediums by Sexually Abused Adults: Implications in Counseling and Art Psychotherapy, Frances Harlow Clukey
Honors Theses
Somaesthetics and Aesthetic Transactions: Art and Phenomenology Today, Monique Boutin
Creation of a Trading Card Game Through the Exploration of Emergent Gameplay, William Bradley
Paper, Pulp, And Place: Investigating Connections Through Process Art, Olivia Bradstreet
Pinus Longaeva: Exploring the Intersections of Art and Science Through Ancient Bristlecone Pine Trees, Delaney Burns
Using 2D Animation with Interactive Elements to Create a Culturally Interesting Web Experience, Nhan Chau
Pursuing Passamaquoddy-Maliseet Language Revitalization Through Song, Sophia Crockett-Current
Constructing Identity Through the Lens of Fashion: An Honors Thesis, Cara P. Doiron
User Experience Design for Presence-Aware Spaces and Technologies, Samuel Foster
“Direct Descendant” Documenting Disenrollment in the Penobscot Nation, Mary L. Hamilton
Home in the Dawnland: Sense of Place and Eco-Cultural Relations in the Penobscot River Valley, Kate Kemper
The Experience of Emptiness: A Creative Exploration of Indeterminacy, Olivia Kjellander
The Illustrations Of Jay Jackson: A Visual Analysis of the Chicago Defender in the 20th Century, Ruth Lewandowski
Inspiration: The Cogs of Our World, Casey Libuda
Exploring the Relationship Between Designing and Composing With an Analog Synthesizer, Felix Morrissey
Art as a Tool to Communicate Science, Jillian Pelto
William Morris, Edward Burne-Jones, and the Kelmscott Press:An Exploration of the Thing and a Non-Commodified Mode of Vision, Daniel Perry III
Awakening From a Dream, Liam Reading
Climate Action at the University of Maine: A Documentary Short Film, Santiago Tijerina
Making Foreign Language Education Accessible Through Spanish Animation, Stephanie L. Tillotson
People Eater, Lilas Verrill
Open-Access Theses
Kant On The Beautiful, Justin P. Amoroso
We Think We Are Not: Embodied Knowledge and Queer Practice, Sarah Hollows